General
Home
Map
Message Board
My Diary
Links
Suggestions
 

Photo's
Australia
Austria
Belgium
Cambodia
England
France
Germany
Ireland
Lichtenstein
Netherlands
Northern Ireland
Scotland
Switzerland
Thailand
 
Temple Information
 

Temple Descriptions
 


Key

Temple Name
Date of Construction
Religious Affiliation
Patron or King
Artistic/Archaeological Style


ttt = must see, tt = major ruin, t = minor ruin

See glossary at the bottom of this page.


 

 

Ak Yum t 
Late 8th - Early 11th 
Hinduism 

-
 
An unimpressive but archaeologically important ruin. The earliest elements date from the Pre-Angkorian 8th century though inscriptions indicate that a temple dedicated to the Hindu ‘god of the depths’ was was previously located on the same spot. Aside from its age Ak Yom significant in that it is the earliest known example of the 'mountain-temple' architectural design formula, which was to become a primary design formula of the Angkorian period. 


 
 
Angkor Thom ttt 
Late 12th - Early 13th 
Buddhism
Jayavarman VII 
Bayon
 
Angkor Thom (Big Angkor) is a 3km2 walled and moated royal city and was the last capital of the Angkorian empire. After Jayavarman VII recaptured the badly damaged Angkorian capital from the Cham invaders in 1181, He began a massive building campaign across the empire, constructing Angkor Thom as his new capital city. He began with existing structures such as Baphuon and Phimeanakas and build a grand enclosed city around them, adding the outer wall/moat and some of Angkor's greatest temples including his state-temple, Bayon, set at the center of the city. There are five entrances (gates) to the city, one for each cardinal point, and the victory gate leading to the Royal Palace area. Each gate, as well as much of Jayavarman VII’s architecture is crowned with 4 giant faces. The South Gate of Angkor Thom is often the first stop on a tour of the temples.

.


 
 
Angkor Wat ttt
Early - Mid 12th 
Hinduism
Suryavarman II 
Angkor Wat
 
Angkor Wat is visually, architecturally and artistically breathtaking. It is a massive three-tiered pyramid crowned by five beehive-like towers rising 65 meters from ground level. Angkor Wat is the centerpiece of any visit to the temples of Angkor. 

At the apex of Khmer political and military dominance in the region, Suryavarman II constructed Angkor Wat in the form of a massive 'temple-mountain' dedicated to the Hindu god, Vishnu. It served as his state temple, though the temple’s uncommon westward orientation has led some to suggest that it was constructed as Suryavarman II’s funerary temple. This is still a matter of debate. Other temples of the same and style period include Thommanon, Banteay Samre, Wat Atwea and Beng Melea, which may have served as a prototype to Angkor Wat.

Angkor Wat is surrounded by a moat and an exterior wall measuring 1300 meters x 1500 meters. The temple itself 1 km square and consists of three levels surmounted by a central tower. The walls of the temple are covered inside and out with bas-reliefs and carvings. Nearly 2000 distinctively rendered apsara carvings adorn the walls throughout the temple and represent some of the finest examples of apsara carvings in Angkorian era art. But it is the exterior walls of the lower level display the most extraordinary bas-reliefs, depicting stories and characters from Hindu mythology, and the historical wars of Suryavarman II. It is in the viewing of the bas-reliefs that a tour guide can be very helpful. 

The northern reflecting pool in front is the premier sunrise location and is also a good alternative to Phnom Bakheng for sunset. For sunrise, arrive very early, well before sunrise begins. The sun will rise behind Angkor Wat providing a silhouette of Angkor’s distinctively shaped towers against a colored sunrise sky. Some of the best colors appear just before the sun breaks over the horizon. For sunset, sit outside the temple to watch the colors change on the stonewalls, or climb to the top level to soak up the atmosphere. 

The visual impact of Angkor Wat, particularly on one's first visit, is awesome. As you pass through the outer gate and get your first glimpse, its size and architecture make it appear two dimensional, like a giant painting against the sky. After you cross through the gate and approach the temple along the walkway it slowly gains depth and complexity. To maximize this effect you should make your first visit in optimal lighting conditions, i.e. after 2:00PM. Do not make your first visit to Angkor Wat in the morning when the backlighting obscures the view. On subsequent visits, the morning hours can be preferable. Most visitors go elsewhere in the morning leaving Angkor Wat open for a more personal visit.

Most people begin their exploration of Angkor Wat by following the bas-reliefs, which cover the exterior walls of the first level clockwise around the temple.

The first level of the Angkor Wat is the most artistically interesting. Most visitors begin their exploration of the temple with the bas-reliefs that cover the exterior wall of the first level, following the reliefs counterclockwise around the temple. Bas-relief highlights include the mythological Battle of Kuru on the west wall; the historical march Suryavarman II’s army, builder of Angkor Wat, army against the Cham, followed by scenes from Heaven and Hell on the south wall; and the classic ‘Churning of the Ocean Milk’ on the north wall.

The temple interior is not as densely carved as the first level exterior, but still sports hundreds of fine carvings of apsaras and scenes from Hindu mythology. Again, a guide can be quite helpful in explaining the stories of the various chambers, statues and architectural forms to be found in the interior. At the upper most of your tour of the temple, the central tower on the third level houses four Buddha images, each facing a different cardinal point, highlighting the fact that though Angkor wat was constructed as a Hindu temple, it has served as a Buddhist temple since Theravada Buddhism became Cambodia’s dominate religion in the 14th century. Some say that it is very good luck to pay homage to all four Buddha images before departing Angkor. 


 
 
Bakong tt
Late 9th 
Hindu 
Indravarman I 
Preah Ko
 
Roluos Group: The most impressive member of the Roluos Group, sitting at the center of the first Khmer capital of Hariharalaya. Bakong stands 15 meters tall and is 650x850 meters at the outer wall. Constructed by the third Angkorian-era king as his state-temple, Bakong represents the first application of the temple-mountain architectural formula on a grand scale and set the architectural tone for next 400 years. The temple displays a very early use of stone rather than brick. Though begun by Indravarman I, Bakong was expanded by later kings. The uppermost section and tower may have been added as late as the 12th century AD. Some of the lintel carvings, particularly on the outer towers, are in good shape. Also see the ‘Roluos Group’.  

 
 
Baksei Chamkrong t 
Mid 10th 
Hindu 
Harshavarman 
Bakheng
 
Baksei Chamkrong is a 12-meter tall brick and laterite pyramid just outside the South Gate of Angkor Thom Combine with a visit to the South Gate or Phnom Bakheng. Harshavarman I began construction or perhaps dedicated statues at the site. The temple was later improved/restored by Rajendravarman II shortly after the capital was returned to Angkor from Koh Ker. According to inscriptions on the doorway Rajendravarman consecrated the temple with thee installation of a golden Shiva image in 947AD. It may have also served as a funerary temple for the parts of the king. 


 
 
Banteay Kdei tt 
Late 12th - Early 13th 
Buddhist
Jayavarman VII 
Angkor Wat/Bayon
 
Sprawling, largely unrestored, monastic complex in much the same style as Ta Prohm. It was originally constructed over the site of an earlier temple, and functioned as a Buddhist monastery under Jayavarman VII. Like many of Jayavarman VII's works, it is a tightly packed architectural muddle, which like Bayon, suffered from several changes in the plans at the time of construction. It was also built using an inferior grade of sandstone and poor construction techniques, leading to much of the deterioration visible today. A restoration project is underway on many of the towers and corridors, and some areas are blocked off. The foundation stele of the temple has not been found so there is no record of to whom it is dedicated. The 13th century vandalism of Buddha images that is seen on many Jayavarman VII temples is quite apparent on Banteay Kdei. Combine with a visit to Srah Srang, which is just opposite the east entrance. 

 

 
Banteay Prei t 
Late 12th - Early 13th 
Buddhist
Jayavarman VII 
Bayon
 
Small, untouristed temple near Neak Pean. Similar architectural style and scale to Ta Som. Some of the apsara and lintel carvings are in pretty good condition. Oddly small doors and windows. Quiet, meditative spot. 

 
 
Banteay Samre t 
Mid 12th 
Hinduism 
Suryavarman II 
Angkor Wat
 
Large, relatively flat temple about 3 km off of the grand circuit, near the southeast corner of the East Baray. The temple underwent extensive restoration this century by archaeologists using the anastylosis method. Banteay Samre was constructed around the same time as Angkor Wat and the similar style is particularly obvious in the naga balustrades. The style of the towers bear strong resemblance to the towers of Khmer temple of Angkor Wat and even more so to Phimai in Thailand. Many of the carvings are in excellent condition. The trip there it is a nice little road trip through villages and paddies. Combine visit with Banteay Srey.

 
 
Banteay Srey ttt 
Late 10th 
Hindu 
Rajendravarman 
Banteay Srey
 
Banteay Srey loosely translates to ‘citadel of the women’, but this is a modern appellation that probably refers to the delicate beauty of the carvings. Built at a time when the Khmer Empire was gaining significant power and territory. The temple was constructed by a Brahmin counselor under powerful king, Rajendravarman and later under Jayavarman V. Banteay Srey displays some of the finest examples of classical Khmer art. The walls are densely covered with some of the most beautiful, deep and intricate carvings of any Angkorian temple. The temple's relatively small size, pink sandstone construction and ornate design give it a fairyland ambiance. The colors are best before 10:30 AM and after 2:00, but there are fewer tourists in the afternoon. This temple was discovered by French archaeologists relatively late, in 1914. Banteay Srey lies 38 km from Siem Reap, requiring extra time travel time. Drivers usually charge an extra fee in addition to their normal daily charge for the trip. Banteay Srey is well worth the extra effort.

 
 
Baphuon tt 
Mid 11th 
Hindu
Udayadityavarman II 
Baphuon
 
Angkor Thom: Huge temple-mountain in the heart of Angkor Thom. Largely collapsed and ruined condition, the main temple area is undergoing extensive restoration and is not open to the public. The exterior entry gate and elevated walkway are open. Note the unique animal carvings at the walkway entrance, and the large reclining Buddha, added to the temple at a much later period, on the west side.  

 
 
Barays t   
A baray is a water reservoir - an area of land where dikes have been raised to catch and hold water. Angkorian kings built massive barays, and such projects be-came one of the marks of Angkorian kingship. At the center of each baray is an island temple. The first major baray to be constructed (Indratataka), measuring 3.8km x 880m, was completed in 889AD when the capital was still at Hariharalaya near Roluos. Lolei, sat on an island in the middle. Construction of the second major baray (i.e. the East Baray or Yashodharatataka), began almost immediately after the first. At 7.8km x 880m it was almost five times larger than the Indratataka. Almost 50 years later East Mebon was constructed on an island in the center. The third and largest (8km x 2.2km) is the West Baray built in the early 11th century. West Mebon sits on a central artificial island. The last baray (Jayatataka) was constructed by Jayavarman VII in the late 12th century. It is considered to be the baray of Preah Khan though the unique temple, Neak Pean, sits at the center. The function of barays is a matter of academic debate. Common wisdom is that they were part of a giant water works used to irrigate the rice paddies, though they certainly served a political and religious function as well.

 
 
Bat Chum t 
Mid 10th 
Buddhist
Rajendravarman 
Pre Rup
 
Unimpressive trio of small brick towers. Historically unique Buddhist temple constructed at a time when Hinduism dominated. The inscriptions on the doorways praise the architect, though one admonishes local elephant handlers to keep their beasts off the dikes, like an ancient 'keep off the grass' sign. Follow unmarked dirt road between Pre Rup and Srah Srang about 1 km.

 
 
Bayon ttt
Late 12th 
Buddhist 
Jayavarman VII 
Bayon
 
If you see only two temples it should be Angkor Wat and Bayon. The giant stone faces of Bayon have become one of the most recognizable images connected to classic Khmer art and architecture. There are 37 standing towers, most but not all sporting four carved faces oriented toward the cardinal points. Who the faces represent is a matter of debate but they may be Loksvara, Mahayana Buddhism's compassionate Bodhisattva, or perhaps a combination of Buddha and Jayavarman VII. Bayon was the Jayavarman VII's state-temple and in many ways represents the pinnacle of his massive building campaign. It appears to be, and is to some degree, an architectural muddle, in part because it was constructed in a somewhat piecemeal fashion for over century. The best of Bayon are the bas-reliefs on the exterior walls of the lower level and on the upper level where the stone faces reside. The reliefs on the southern wall contain real-life scenes from the historical sea battle between the Khmer and the Cham. It is not clear whether this represents the Cham invasion of 1177AD or a later battle in which the Khmer were victorious. Even more interesting are extensive carvings of unique and revealing scenes of everyday life, which are interspersed among the battle scenes, including market scenes, cockfighting, chess games and childbirth. Also note the unfinished carvings on other walls, likely indicating the death of Jayavar-man VII and the subsequent end of his building campaign. Some of the reliefs on the inner walls were carved at a later date under the Hindu king Jayavarman VIII. The surrounding tall jungle makes Bayon a bit dark and flat for photographs near sunrise and sunset.


 
 
Beng Melea t
Early 11th 
Hindu 
Suryavarman II 
Angkor Wat
 
Sprawling jungle temple covering over one square kilometer. The temple is largely overrun by vegetation. Constructed in a distinctly Angkor Wat style, Beg Melea preceded and may have served as a prototype of sorts for Angkor Wat. Very few carvings or bas-reliefs are evident and may never have existed. When the temple was active the walls may have been covered painted or had frescos. In its time, Beng Melea was at the crossroads of several major highways that ran to Angkor, Koh Ker, Preah Vihear (in northern Cambodia) and northern Vietnam. Beng Melea is located 60km east of town and requires an arduous 3-hour journey to get there. The area has only recently become available to visitor, being demined just last year. Poor roads through beautiful countryside, and lack of visitors at the temple give the trip a real expedition feel. Graded dirt road with occasional flooding in the rainy season. Consider contacting a tour guide that specializes in the distant temples such as Terre Cambodge. .

 
 
Chapel of the Hospital t
Late 12th 
Buddhist 
Jayavarman VII 
Bayon
 
102 hospitals were built throughout the empire under Jayavarman VII. The hospital itself was probably constructed of perishable materials such as wood and bamboo, which has long since disappeared, leaving only the sandstone hospital temple or ‘chapel’ for the ages. This temple and the one at Ta Prohm Kel opposite Angkor Wat offer two examples of hospital chapels. Constructed of sandstone, this Chapel of the Hospital is in rough condition but some carvings are still visible. A quiet, meditative spot, easily accessible but visited by few tourists.  

 
 
Chau Say Tevoda t 
Early 12th 
Hindu 
Suryavarman II 
Angkor Wat
 
Of similar floor plan but in much worse condition than Thommanon across the street. Thommanon was restored by archaeologists in the 1960’s whereas Chau Say Tevoda has just begun to undergo an extensive restoration project. Actually, the current project offers a pretty good look at the restoration process. Chau Say Tevoda seems to stand in partnership with Thommanon but actually was built much later in Suryavarman II’s rule than Thommanon. The temple displays some interesting carvings in that are in fair condition. The walkway from the temple leads to the Siem Reap River a few hundred meters away. 

 
 
East Mebon tt 
Late 10th 
Hindu 
Rajendravarman II 
Pre Rup
 
Jayavarman IV, a usurper to the throne, moved the capital from Angkor to Koh Ker in 928AD. Sixteen years later Rajendravarman II returned the capital to Angkor and quickly constructed East Mebon on an island in the middle of the now dry Eastern Baray. The temple is dedicated to Shiva in honor of the king’s parents. Inscriptions indicate that is was also built to help reestablish the continuity of kingship at Angkor in light of the recent interruption when the seat of power had been moved to Koh Ker. There seems to be some scholarly debate as to whether East Mebon should be categorized as a temple-mountain. Inscriptions record activity at the temple as early as 947AD, but East Mebon it was not consecrated until 952AD. 

 
 
Kbal Spean t
11th - 13th 
Hindu/Buddhist
N/A
N/A
 
A distant but historically important ruin for the enthusiast only. Kbal Spean literally means ‘the head of the river’. This is one of the ‘rivers of 1000 lingas’, made up of unique lingas and linga stands chiseled into the riverbed of the Siem Reap River. It was believed that the lingas spiritually 'fertilized' the waters that fed the Eastern Baray and irrigated the rice fields below. The other ‘river of 1000 lingas’ is at Phnom Kulen. There are also carvings of Buddha and Buddhist images in the rock that date from a later period than the lingas. Combine with a visit to Banteay Srey and allow a half day for the two. Take the road straight past Banteay Srey about 12km. Look for the sign and parking area on the left side. Requires a moderately easy 45 minute uphill walk though the woods. Regular Angkor admission tick not required. Sometimes a $3 fee to enter depending on if there is somebody there to collect it.

 
 
Kleangs (North and South) t
Late 10th - Early 11th 
Hindu
Jayavarman V 
Kleang
 
Rectangular sandstone buildings set opposite the Terrace of Elephants, behind the Prasat Suor Prat. ‘Kleang’ means ‘storeroom’ but it is unlikely that this was the function of the structures. A royal oath of allegiance is carved into the doorway of one Kleang indicating that the they may have served as reception areas or even housing for visiting noblemen and ambassadors. The North Kleang was built in wood under Rajendravarman II and then rebuilt in stone by Jayavarman V, probably before the construction of the South Kleang. The Kleangs are unremarkable upon close inspection but picturesque from a distance, standing among the Prasat Suor Prat. Best photographed in the afternoon.

 
 
Krol Ko t
Late 12th 
Buddhist 
Jayavarman VII 
Bayon
 
A small temple with a single central tower surrounded by two laterite walls. Some carvings are on the ground. Relatively untouristed, offering a peaceful respite on the outside of the grand circuit.  

 
 
Lolei t 
Late 9th 
Hindu 
Yasovarman I 
Preah Ko/Bakheng
 
Roluos Group. An island-temple consisting of four brick towers on a double laterite platform. Located in the center of the first large-scale baray constructed by a Khmer king. The last major temple built at Roluos before Yasovarman I moved the capital to the Angkor area. Though the towers are in poor condition there are some good lintel carvings, which display the distinctively detailed Pre Ko style. An active pagoda has been built amongst the ruins. Of the Roluos group ruins, allocate the least time for this temple. See ‘Roluos Group’. 

 
 
Neak Pean tt 
Late 12th 
Buddhism 
Jayavarman VII 
Bayon
 
When constructed, this small island temple was located in the middle of the last reservoir (baray) to be constructed by a Khmer king in the Angkor area. The small central temple sits in the center of a cross or lotus pattern made up of eight pools. At time of construction the temple was called Rajasri but took its modern appellation, Neak Pean, which means ‘coiled serpents’, from the encoiled nagas that encircled the temple. The temple is faced by a statue of the horse, Balaha, saving drowning sailors. Neak Pean may have served an absolution function, and the waters were thought to have healing properties. During the dry season when the water is low, check out the animal and human headwater spouts at the outside center of each pool. Neak Pean is most photogenic in the wet season when the pools are full.  

 
 
Phimeanakas tt
Late 10th - Early 11th 
Hindu 
Jayavarman V 
Kleang
 
The king's temple, once crowned with a golden tower or spire. The lack of surviving carvings leaves it artistically uninteresting, but it is the tallest scalable temple in Angkor Thom, providing a nice view from the top. The western staircase (at the back) is the most easily ascended. Legend has it that the golden tower was inhabited by a serpent, which would transform into a woman. The kings of Angkor were required to make love with the serpent every night, lest disaster befall him or the kingdom.

 
 
Phnom Bakheng ttt 
Late 9th - Early 10th 
Hindu
Yasovarman I 
Bakheng
 
The construction of this temple mountain on Phnom Bakheng (Bakheng Hill), the first major temple to be constructed in the Angkor area, marked the move of the capital of the Khmer empire from Roluos to Angkor. It served as Yasovarman I's state-temple at the center of his new capital city Yasodharapura. The foundation of Bakheng is carved from the rock edifice rather than the laterite and earthfill of other temples. Bakheng's hilltop location makes it the most popular sunset location in the area, offering a view of the Tonle Sap Lake and a distant Angkor Wat in the jungle. Often overcrowded at sunset. Elephant rides up the hill are available.

 
 
Phnom Krom t 
Late 9th - Early 10th 
Hindu
Yasovarman I 
Bakheng
 
Three towers, dedicated to Shiva, Vishnu and Brahma respectively. The ruins are in relatively poor condition, and sit next to an active pagoda on top of a hill. Wonderful view of the Tonle Sap lake and the surrounding countryside. It is a very nice 15km countryside drive from Siem Reap to the base of the hill. An exposed, 20-30 minute walk to the top. A visit to Phnom Krom is sometimes combined with a Tonle Sap Lake boat trip.

 
 
Phnom Kulen t 
9th 
Hindu 
Jayavarman II 
Kulen
 
The mountain on which Jayavarman II initiated a royal 'god of the king' linga cult by holding a ceremony (802AD) in which he declared a unified, independent Cambodia under a single ruler. This ceremony signaled the beginning of the Angkorian period. Several sites including hundreds of linga stands in the Siem Reap River. Waterfalls and active pagoda. There is a separate entrance fee of $20 for Phnom Kulen.

 
 
Prasat Bei t 
10th 
Hindu 
Yasovarman I 
Bakheng
 
A set of three small brick towers between Baksei Chamkrong and the moat of Angkor Thom near the South Gate. Construction was never completed. Prasat Bei literally means 'towers three' 

 
 
Prasat Kravan t 
Early 10th 
Hindu
Harshavarman I 
Bakheng
 
Reconstructed, unique brick towers contain large wall sculptures of Vishnu and Lakshmi. Originally constructed by a nobleman rather than a king. Reconstructed by archaeologists in the early 20th century. Look for modern replacement bricks labeled "CA". Photographically better in the morning. 

 
 
Prasat Prei t 
Late 12th - Early 13th 
Buddhist
Jayavarman VII 
Bayon
 
Small, untouristed pair of laterite towers near Neak Pean. Some apsara and lintel carvings. Untouristed, offering a quiet, peaceful location.  

 
 
Prasat Suor Prat t 
Early 13th?

Indravarman II 
Post-Bayon
 
Twelve nearly identical towers that stand opposite and parallel the Terrace of the Elephants. Perhaps begun under Jayavarman VII, but they do not display the classic Bayon style characteristic of Jayavarman VII's monuments. Picturesque from a distance but uninteresting upon close inspection. Some towers are undergoing renovation. Best photographed in the late afternoon. The original function of the towers is a matter of debate but in the 12th century classic, "Cus-toms of Cambodia", Zhou Daguan gives a romantic but dubious account of their function. He wrote that legal disputes were settled by placing the contenders in the towers for a few days. The one to emerge in ill health was the loser by celestial decree.. 

 
 
Prasat Top (East) t 
Late 13th  
Hindu 
Jayavarman VIII 
Bayon
 
Architecturally unimpressive but historically important small tower located in Angkor Thom. Also known as 'Monument 487' and 'Mangalartha' because it was built in honor of a monk of the same name. The final Brahmanic temple built in the Angkor area. Constructed in the historically hazy period of Hindu resurgence after the death of Jayavarman VII.

 
 
Prasat Top (West) t 
9th-17th 
Theravada Buddhist
-
Post-Bayon
 
Small, ruined towers standing in an unvisited section of Angkor Thom. Inscriptions indicate that the site was used as early as the 9th century, but the structure as it stands today is post Angkorian. The materials from an earlier structure were reused for the new structures. The few carvings that still exists are Buddhist.  

 
 
Pre Rup tt 
Late 10th 
Hindu 
Rajendravarman II 
Pre Rup
 
Architecturally and artistically superior temple-mountain. Beautifully carved false doors on upper level, as well as an excellent view of the surrounding countryside. Traditionally believed to be a funerary temple, but in fact the state temple of Rajendravarman II. Historically important in that it was the second temple built after the capital was returned to Angkor after a period of political upheaval when the capital had been moved to Koh Ker.

 
 
Preah Khan ttt 
Late 12th 
Buddhist 
Jayavarman VII 
Bayon
 
Preah Khan is a huge, highly explorable monastic complex. Full of carvings, passages and photo opportunities. It originally served as a Buddhist monastery and school, engaging over 1000 monks. For a short period it was also the residence of King Jayavarman VII during the reconstruction of his permanent home in Angkor Thom. 'Preah Khan' means 'sacred sword'. In harmony with Ta Prohm, which was dedicated to Jayavarman VII's mother, Preah Khan is dedicated to his father. Features of note: Like most of Jayavarman VII's monuments, the Buddha images were vandalized in the later Hindu resurgence. Some Buddha carvings in the central corridor have been crudely carved over with Bodhisattvas, and in a couple of odd cases, a lotus flower and a linga. Also note the cylindrical columns on the building west of the main temple. It is one of the only examples of round columns and may be from a later period.

 
 
Preah Ko t 
Late 9th 
Hindu 
Indravarman I 
Preah Ko
 
In the Roluos Group. One of the first major temples of the empire at the early Khmer capital of Hariharalaya. Preah Ko (Sacred Bull) derives its name from the statues of bulls at the front of the central towers. Many of the carvings are in very good condition providing excellent examples of the deep, vivid Preah Ko style Khmer art. Also see ‘Roluos Group’.

 
 
Preah Palilay t 
Late 12th - Early 13th 
Buddhist 
Jayavarman VII 
Bayon
 
Sandstone and laterite tower in a cool, shaded forest setting, in the area behind the Terrace of the Leper King. Note the particularly nice Buddhist carvings at the front gopura. The tower was rebuilt and modified in the post-Bayon period.  

 
 
Preah Pithu Group t 
Early 12th 
Hindu
Suryavarman II 
Angkor Wat
 
Five small temples set in a quiet area. One of the temples is Buddhist and may date from the 14th century. The temples are in rough shape but there are interesting carved lintels scattered on the ground. Not as touristed as the other temples. Peaceful little jungle area behind. 

 
 
Roluos Group tt 
Late 9th 
Hindu
-
Preah Ko
 
Hariharalaya, located near the modern town of Roluos, was the first capital of the Angkorian era Khmer Empire. The capital was named for Hari-Hara, a synthesis of the Hindu gods Shiva and Vishnu. Hariharalaya was established by Jayavarman II and served as the Khmer capital for over 70 years under four successive kings. Setting the pattern for the next four centuries, the first great Khmer temples (Bakong, Preah Ko, Lolei - see individual listings) and baray (reservoir) were constructed at Hariharalaya. The last king at Hariharalaya, Yasovarman I, built the first major temple at Angkor, Phnom Bakheng, and moved the capital to the Bakheng area in 905AD. 12km (20 minutes) from Siem Reap.

 
 
Spean Thma t   
Literally translated 'Bridge of Stone'. Reconstructed several times. The bridge as it currently stands is post-Angkorian construction. It sits just to the side of the Siem Reap River, indicating that the course of the river has shifted over the years.  

 
 
Srah Srang t 
Mid 10th and Late 12th 
Buddhist 
Jayavarman VII 
Bayon
 
Picturesque baray opposite the east entrance of Banteay Kdei. Originally constructed by the same architect that built Pre Rup. Remodeled in the 12th century as part of Jayavarman VII's massive building campaign. The remains of a temple can be seen in the middle of the lake when the water is low. Srah Srang is a pleasant sunrise alternative to Angkor Wat. 

 
 
Ta Keo t 
Late 10th - Early 11th 
Hindu
Jayavarman V 
Khleang
 
Towering but plain temple-mountain dedicated to Shiva. Known in its time as ‘the mountain with golden peaks’. The first temple to be constructed wholly of sandstone. Constructed as a state-temple by Jayavarman V. Unusually, he built Ta Keo outside of his main capital area located slightly north of Ta Keo. Many Angkorian temples are partially unfinished, but Ta Keo seems to have stopped construction particularly early in the decoration phase of construction, as there are very few carvings.

 
 
Ta Nei t 
Mid 12th 
Buddhist
Jayavarman VII 
Bayon
 
Small (55m x 47m), semi-ruined, untouristed jungle temple reminiscent of Ta Som, displaying classic Jayavarman VII artistry. Some apsaras and lintels in pretty good condition. Main road to Ta Nei from Ta Keo is closed. Instead, follow unmarked dirt road from just outside the Victory Gate of Angkor Thom to the 'French Dam'. Cross the dam and proceed 200m up a small path. Undergoing restoration.

 
 
Ta Prohm ttt 
Mid 12th - Early 13th 
Buddhist
Jayavarman VII 
Bayon
 
Of similar design to the later Jayavarman VII temples of Preah Khan and Banteay Kdei, this quiet, sprawling monastic complex is only partially cleared of jungle overgrowth. Intentionally left partially unrestored by French archaeologists, massive fig and silk-cotton trees grow from the towers and corridors. Flocks of noisy parrots flit from tree to tree adding to the jungle atmosphere. Ta Prohm is well worth an extended exploration of its dark corridors and open plazas. This temple was one of Jayavarman VII's first major temple projects and was dedicated to his mother. (Preah Khan, built shortly after Ta Prohm in the same general style, was dedicated to Jayavarman VII’s father.) Ta Prohm was originally constructed as a Buddhist monastery and was enormously wealthy in its time, boasting of the control of over 3000 villages, thousands of support staff and vast stores of jewels and gold.

 
 
Ta Prohm Kel t 
Late 12th 
Buddhist 
Jayavarman VII 
Bayon
 
Ta Prohm Kel is the ruins of the temple or ‘chapel’ of one of the many hospitals built by Jayavarman VII. Located opposite Angkor Wat. Very similar design and state of ruin to the ‘Chapel of the Hospital’ near Ta Keo. Interesting, well-preserved carvings inside the doorways. 

 
 
Ta Som tt 
Late 12th 
Buddhist 
Jayavarman VII 
Bayon
 
The most distant temple on the grand circuit. Small but classic Jayavarman VII temple, made up of a relatively flat enclosure with towers much like a Ta Prohm on a small scale. Face towers on the gorupas. The execution of the apsara carvings is better than many late 12th century works and there is an uncommon individuality to the figures. A huge tree grows from the top of the east gopura. It is destroying the gate but it is a photo classic. It is best photographed in the early morning from the outside of the enclosure, when the sun is low. The temple is in ruined condition but is currently undergoing an extensive renovation project.  

 
 
Tep Pranam t 
9th 
Buddhist 
Yasovarman I 
Mixed
 
A long walkway with a Buddha figure at the far end. Tep Pranam was originally a Buddhist shrine in the 9th century under Yasovarman I, the king that moved the capital to Angkor. But it was expanded over the years including 12th century balustrades, 13th century lions and significant post-Angkorian modifications and additions. The Buddha is made from reused material. It is unclear how long that particular Buddha has been there. 

 
 
Terrace of the Elephants tt 
Late 12th 
Buddhist 
Jayavarman VII 
Bayon
 
Impressive, two and a half-meter tall wall spanning the heart of Angkor Thom. Carved elephants and giant garudas (bird-men) adorn the full length. Constructed as part of Jayavarman VII's building campaign but extended by his successor. Best lighting before noon. Terrace of the Leper King is at the north end.

 
 
Terrace of the Leper King tt 
Late 12th 
Buddhist 
Jayavarman VII 
Bayon
 
A double terrace at the north end of the Terrace of Elephants with deeply carved nagas, demons and other mythological beings. Named for the statue of the leper king that sits on top. Why the statue is known as the 'leper king' is less clear. Some argue that when the statue was found, its lichen eaten condition gave it the appearance of leprosy. Others have argued that it is a statue of the leper king of Khmer legend, or that the condition of the statue inspired its connection to the legend. The model for the statue is also a matter of debate. Suggestions include Hindu gods, Yasovarman I and Jayavarman VII. Recent scholarship favors a Jayavarman VII/Buddha combination. The statue at the terrace is a replica. The original resides in the National Museum in Phnom Penh.

 
 
Thommanon tt 
Late 11th - Early 12th 
Hindu
Suryavarman II 
Angkor Wat
 
Small, attractive temple in very good condition, built at the same time as Angkor Wat. It’s Angkor Wat style is most easily seen in the style of the carved apsaras and the shape of the tower. The temple seems to stand in conjunction with Chau Say Tevoda across the street, but Thommanon was built decades earlier. Thommanon is in much better condition than Chau Say Tevoda, in part because archaeologists heavily restored it in the 1960's. But even before restoration Thommanon was in better shape than Chau Say Tevoda, due in part to the lack of the stone enclosed wood beams in Thommanon’s superstructure that were used in Chau Say Tevoda’s. Many of the carvings are in excellent condition. The colors of the age-stained sandstone against the jungle are very photogenic, particularly in the wet season.

 
 
Wat Athvea t 
Late 11th 
Hindu
Suryavarman II 
Angkor Wat
 
Though lacking carvings, this nearby temple outside of the main temple area is in relatively good condition. The Angkor Wat style is apparent in the towers. Next to an active wat of the same name. Relitively untouristed. No admission ticket required. 7km south of town 200m off the main road from town to the Tonle Sap. For a countryside sunset, follow the dirt road through for a kilometer or two past the wat. Palm trees and small huts lining the road open to rice paddies and Phnom Krom on the horizon.  

 
 
West Mebon t
Late 11th 
Hindu
Udayadityavarman VII 
Baphuon
 
Ruins of an island temple in very poor condition on an island in the West Baray. A short boat ride is necessary to visit the ruins. These ruins exhibit some of the first carvings of animals in natural, non-mythological scenes. Also see ‘Barays’. . 

 
 

 



Glossary

Apsara - Mythological celestial nymphs. Devatas (standing female divinities), though technically different, are also referred to as apsaras in this guide. Carved in abundance on many of the temples. 
Banteay - (Khmer) 'fortress' or 'citadel'. Though not a technical designation, it often indicates a monastic complex or flat temple style. 
Baray - Ancient water reservoir..
Gopura - The entrance-way or gate in the wall that surrounds a temple.
Linga - A phallic symbol, representative of the god Shiva..
Lintel - The sandstone block above doorways and windows, often intricately carved.
Monastic complex - General term referring to a temple that has a relatively flat, sometimes sprawling in architectural layout. It may employ towers, but set at ground level. Eg: Ta Prohm, Preah Khan, Banteay Kdei.
Naga - Mythological, multi-headed snake/serpent. Naga motifs are often used in balustrades. 
Phnom - (Khmer) 'hill' or 'mountain'.
Prasat - (Khmer) 'tower'. 
Preah - (Khmer) 'sacred'.
Temple-mountain - A specific architectural design based on the mythological mountain, Mt. Meru. Eg: Pre Rup, Ta Keo, Bakong

 

TOP